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N° 13 · 1924 — 1950s · Paris

Surrealism

— Surréalisme: a Manifesto from André Breton, 1924 —

Writing dreams into reality — melting clocks, floating apples, clouds that grow eyes.
They believed the unconscious was the real world.

In 1924 the poet André Breton published the Surrealist Manifesto in Paris. The key figure behind it was the Austrian psychologist Freud — who, a few years earlier, had convinced all of Europe: you think you control yourself, but in fact your unconscious controls you.

The Surrealists turned this idea into a creative method: ‘automatic writing’ to let the unconscious pour straight out; the ‘exquisite corpse’, several people drawing one picture together; and most famous of all — Salvador Dalí, using his ‘paranoiac-critical method’ to paint dreams as precisely as photographs.

Melting clocks, a pipe captioned ‘Ceci n’est pas une pipe,’ clouds with a woman’s face — these images may look like memes today, but in the 1930s they genuinely unsettled people. Surrealism later became advertising’s best weapon: every visual gag that makes you go ‘huh?’ and then ‘ah!’ traces its source back here.

‘My whole ambition is to paint the world of dreams as precisely as a photograph.’— Salvador Dalí
automatism dream imagery strange juxtaposition melting / floating the unconscious
— After "The Persistence of Memory" · 1931 —
1931
The Persistence of Memory
Salvador Dalí
1929
The Treachery of Images
René Magritte
1937
Self-Portrait with Necklace
Frida Kahlo
1929
Un Chien Andalou (film)
Luis Buñuel · Dalí