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DADa·DA

N° 10 1916 — 1924 Zürich · Cabaret Voltaire → Berlin, Paris, New York Dadaism

In 1916 the First World War was grinding Europe to mincemeat. A band of poets, painters and out-of-work dancers who had fled to Zürich gathered at a little bar called the Cabaret Voltaire. What they made came to be called ‘Dada’ — a word that means nothing, found by flipping a dictionary open at random.

Did logic drive us into war? Then we’ll make anti-logic. Did reason get people killed? Then we’ll make anti-reason. Is art sacred? Then Marcel Duchamp will buy a urinal, sign it with the fake name R. Mutt, and send it to a museum.

‘DADA serves nothing. DADA
is nothing, wants nothing, hopes
for nothing — it is simply DADA.’
— Tristan Tzara, 1918

Dada lasted just 8 years, but left three gifts that changed art history: the readymade, photomontage, and absurdist humour. Without Dada there is no Andy Warhol, no Jenny Holzer, no Banksy, no meme culture — and none of those ‘deliberately terrible’ SoundCloud covers.

DADA
— REASON / IS / DEAD —
Fountain
R. Mutt 1917
ART = ANTI
ART = DADA
Tzara · Arp · Höch
1917
Fountain
Marcel Duchamp
1919
Cut with the Kitchen Knife
Hannah Höch
1920
Mechanical Head
Raoul Hausmann
1916
Karawane (sound poem)
Hugo Ball